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“Making ‘Men of Texas’ gave me a whole new respect for people who traveled by stage coach,” Kay laughs. If ever an actor earned a halo as a human being, that person was Jack Benny.” In spite of my good scenes that ended on the cutting room floor, the picture was one of the most enjoyable I ever made. When we did the runaway scenes on the mechanical horses we both got desperately seasick.
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Mark Sandrich was a gifted director and Jack Benny a fine gentleman. Kay says, “‘Buck Benny Rides Again’ was a fine experience. Everyone connected with the film was at his/her best-personally and performance-wise.” Working with John Ford was an experience. This precipitated the row between Ford and Zanuck which culminated in Ford getting a completely re-written contract allowing him to do any number of films he chose away from the 20th lot. After John Ford did his final cut and went fishing off Baja, CA, with Fonda, Ward Bond, Arthur Shields and several others of the Ford company, Darryl Zanuck (fondly known as the white rabbit with the glass teeth) re-cut the film and destroyed the negative.
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My death, an arrow in the chest fired by world champion archer Howard Hill, was so grisly it had to be cut and I met my end at the hands of an Indian Brave who had rape on his mind. When the Indians weren’t beleaguering Claudette Colbert, I was. Kay continued, “In ‘Drums Along the Mohawk’ I played Mrs. Buck Jones was one of God’s good gentlemen and an honor to the motion picture business.” I heartily agreed-but the scene is effective. She was done out of a fat fee and felt it absolutely cruel to put me through such trauma. (Buck is credited as director/producer.-ed.) The stunt girl, Aline Goodwin, was furious. As a matter of fact, if I’m not mistaken, Les’ credit does not appear on the crawl. Buck Jones was furious with the director, Les Selander. With the wind swinging the bridge from side to side, looking down at the Kern River forty feet below boiling over the rocks, holding my hat on my head (I had just taken it from one of the ‘heavies’ and it had no chin strap) and hanging onto the handhold cable-it was the longest block and a half I ever walked. No one told me the weight of my body forced the boards to rise to meet my feet with each step. I actually crossed the Kern River on the old swing bridge. It was a good part as parts in Westerns went,” Kay told us, “I did more than watch the hero ride off into the sunset. “The only B-Western I ever made was ‘Black Aces’. Her fans best remember her for Westerns-in particular Buck Jones’ “Black Aces” (‘37 Universal). Kay was even the guilty party in one of them! Harrigan” (‘36-as nurse-detective Sally Keating), “The Last Warning” (‘38-the final in a trilogy of Bill Crane mysteries), “A Close Call For Ellery Queen” (‘42) as well as four Charlie Chan classics (“-In Monte Carlo”, ‘37 “-In Reno”, ‘39 “-Murder Cruise”, ‘40 “-In Rio”, ‘41).
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Many detective series films are among her credits, including “The Murder of Dr. In Technicolor epics like “Drums Along The Mohawk” to classics like “Kitty Foyle”, this multi-talented actress was a very welcome asset. AR, exotically beautiful Kay Linaker graced the silver screen in a wide variety of parts from the mid-‘30s to the mid ‘50s.